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Merrick here...
Early last month, Brett Ratner did an interview with MTV regarding BEVERLY HILLS COP 4.
A particular quote in the interview lead many to the logical conclusion that the new BHC project would have a considerably softer tone/rating than its predecessors.
When asked what is biggest challenge would be, Ratner seemed to indicate that his new film would be geared towards a very PG audience.
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Hey all. Capone in Chicago here.
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Hey folks, Harry here... I've never been the biggest Gambit fan, but I've always respected the character's immense fanbase. Sadly, I'm afraid fans of Gambit will be about as satisfied as VENOM fans were by SPIDER-MAN 3 when they see next summer's WOLVERINE. And I think that disappointment will begin when Gambit fans click on the below link - and then later when they realize that he has a very small part in things... but maybe that's good... if he's forgettable here... perhaps he can be done justice easier later on. Right? Maybe?
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Merrick here...
In some elusive past I can't seem to access with search engines, we heard rumblings that Fox wanted to drag the SPEED franchise out of retirement;. Do two films constitute a "franchise"?.
It was generally assumed this would be accomplished via re-imaginings, remakes, and so forth - 'cause that's pretty much the way stuff like this shakes out these days.
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Merrick here...
Greetings! ScoreKeeper here with yet another post regarding the insanely popular score to THE DARK KNIGHT (2008) composed by Hans Zimmer and James Newton Howard.
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Merrick here...
For ages and ages we've been hearing about the on-again/off-again/occasionally troubled JUSTIC LEAGUE film being mounted by George Miller.
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Hey everyone. Capone in Chicago here.
Here's the thing about Oliver Platt: Any movie or TV show that he's in, even the worst piece of crap under the sun, is going to be good for at least the stretches of time that Platt is on screen. I don't want to oversell the guy, but he has never put forward a bad performance in anything. Just seeing his face on screen makes me smile, and when he opens his mouth, he makes me laugh.
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Ahoy, squirts! Quint here with today’s installment of A Movie A Day.
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Ahoy, squirts! Quint here with today’s installment of A Movie A Day.
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Earlier this month, through the guys over at CHUD, we learned that a PLANET OF THE APES project...essentially a remake of 1972's CONQUEST OF THE PLANET OF THE APES...was being mulled by Fox (details HERE).
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ScoreKeeper here to pay respect to a monster composer, Irving Gertz, who passed away on November 14th, 2008, in Los Angeles, California. He was 93.
If you’re a connoisseur of drive-in monster flicks, science-fiction pulp, or classic cult horror films, then chances are your ears were treated to the music of Irving Gertz. An amazingly prolific, yet often uncredited composer, Gertz’s music accompanied the screams of many hapless victims in films including THE ALLIGATOR PEOPLE (1959)...
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Greetings! ScoreKeeper here pointing the way toward an hour-long rare and rather candid interview with the one and only Danny Elfman.
Tommy Pearson of Stage and Screen Online recently conducted an interesting interview with Danny Elfman covering a wide range of topics from his new score to the upcoming biopic about Notorious B.I.G. called NOTORIOUS (2009), to his classic scores of yesterday, and even a touch of American politics just to keep the conversation hot ‘n spicy!
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Ahoy, squirts! Quint here with today’s installment of A Movie A Day.
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